Clear undistorted top”, and I have to agree, as it’s definitely my go-to EQ for high-shelving. The company says it offers “super-high-quality prototypes.

I use it if I need a good high-shelving and/or a boost around sub area or mids. The reason I use this one is that it sounds clean. It’s too bad the EQ can’t handle both of them in one instance, but I got past that quite quickly. This is the first EQ in my mastering chain – there’s actually two instances in the chain: one for mid, one for side. Also, all my blog content is spread on word-of-mouth basis, so you’d do me a massive favor if you shared this post.Ĭheers…now have a sip of that drink and dive right in! This blog post is best enjoyed with quality dark roast coffee, good beer, or, ideally both. I’d love to hear what you were drinking while reading, so please drop a comment below the post re: the drinks OR your thoughts on the post in general. The idea here is not to write an extensive review of any of them or go through all of their features, but to write about what I happen to like them for. Some of these are used in my mastering chain (which I’ve written about in great detail here), some in mixing, some in both. – and leave actual instruments for another possible blog post, as they belong in another category and deserve a chapter of their own. I tried to think of the ones I use the most and wouldn’t like to let go of and which have become a part of my steady daily audio diet. I don’t have an absolute massive ton of plugs, and as I’ve become more experienced, I’ve tried to adapt the “less is more” and “learn a few tools inside out” philosophy with plugins, but I suppose still have/had a few too many “waiting to get used” (I actually ended up deleting a few while going thru the list, trying to pick the ones I’d write about).įor this one, I’ll concentrate on the effects – EQs, saturators, reverb, delay, chorus, etc. This one’s been in the air for a while: to write about the plugins I use the most.

Slate fg x vs ozone